AAAAIn class, we discussed the use of violence in The Odyssey and whether it’s necessary in the fight against the suitors. I am here to argue a simple point: yes. You can not have an epic poem without a climax nor can you deny the buildup that has been collecting since the very beginning. If the suitors are the “villains” in this case, then they gotta go and if that includes mindless slaughter, then so be it. Never mind the fact that “some” may be innocent or that the crime doesn’t justify the punishment, we are all here to see Odysseus kick some ass.
AAA It’s impossible to put logic into the slaughter scene. If the main character were to pause and actually think things through, it ruins the flow of the story and reduces the satisfaction of Odysseus’s return. No one wants to see Odysseus meet with each, individual suitor and question them on their loyalty and behavior. That would take forever and over complicate the plot. With revenge stories, it’s best to keep it simple: either they’re innocent or guilty. In most cases, guilty equals glorious battle.
AAA So, it’s not surprising that this theme is very common in modern film. In Oldboy, a man spends 15 years in isolation and after he escapes, he goes on a huge murder spree to get vengeance against his captor (and features one of the best fight scenes in cinematic history*). Similarly, Taken focuses solely on Liam Neeson killing everyone in his path to try and save his daughter. Both of these films depend largely on violence as means for the hero to be victorious. While watching these films, no one considers, “Geez, he just brutally killed that guy. I mean the poor dude probably just wanted a paycheck.” No, let’s be honest, we all get distracted by the punching and kicking and general coolness of the fight scenes.
AAAEven at a young age, the final battle has always been essential to the hero’s journey. For example, The Lion King. The climax of the film is when Simba returns from the forest to avenge his father. What follows is a dramatic scene of lion versus hyena and the confrontation between Scar and Simba. As an audience, we want to clearly see Simba’s victory and without a final battle, that would be hard to achieve. Additionally, we can draw comparisons to the almost unjustifiable ways each villain (or villains in The Odyssey) are killed. While Odysseus kills some suitors who may be loyal (?), Simba outright throws Scar off a cliff to be eaten by hyenas. What’s unjustifiable about that? I mean, Scar did do a lot of evil things in the film. Well, for one, it’s a kid movie! Such a violent death is not normal for these types of things. Also, Scar also has some merit. He tried to give the hyenas a better life, as in not let them starve to death. So, just like with the suitors, some of Scars actions are not entirely ill intended.
AAAAfter all is said and done, I think the massacre at the end of The Odyssey comes down to one thing: Homer wants a dramatic and exciting ending. If that includes killing a 100 people, then so be it. You kill those men, Odysseus. We’ve waited over 400 pages for this.
*Graphic content (violence)